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OCR: Still-life with apples and oranges Cezanne painted still lifes throughout his life. Despite the apparently innocuous subject matter and the ease with which models could be found, he never regarded a still life as relaxing work. The still lifes have an important place in his work, reflecting the various stages of his search for a personal style. His first still lifes were in the tradition of such masters as Chardin, Courbet and Manet, who owed a debt to the tenebrist tradition of Spanish painting. These were followed, after 1870, by some ambitious works in which he sought to bring his personal themes into focus: simple still lifes arranged in a corner of his studio or in a middle-class home. The essentially static representation of objects in the early works underwent a dramatic change as C ...